Live sound is the root from which Outlandish has grown and is the passion that underpins all my audio work. I came to sound work through being a musician and so I understand the musicians' viewpoint and try to be sensitive to their requirements. Being helpful, courteous and enthusiastic are traits too often overlooked by sound engineers but it is my opinion that demonstrating these qualities in sound-check will help coax a better performance from a player.

 

Since 2006 I have been head of sound at Green Note, London's premier intimate acoustic venue, and I have toured extensively doing sound in almost every space imaginable from pubs and village halls to large theatres and festival stages. As such I am used to being presented with strange instruments, unusual venues and difficult circumstances, as well as needing to work quickly and sensitively to get the best sound possible. Being a musician and having done sound for thousands of acts in the last decade, I generally know how an instrument should sound, but I'm always happy to work with the player to make sure I get THEIR sound right.

 

Outlandish will provide a sensitive audio solution to an event and can easily provide a PA and backline or simply work with the existing gear at an established music venue.